Beevor’s ‘The Second World War’

beevorEarly this year I picked up Antony Beevor’s 2012 history book The Second World War on the recommendation of Ta-Nahesi Coates (here and here), and recently I finally read it.  The book is actually somewhat complex to evaluate.  Most reviews (NY Times, Guardian, etc.) seem to have been positive but not super excited about the effort.  At first I agreed but now feel it to be an excellent book within its audience, goals, and necessary limitations.  It is certainly by far the best single-volume history of the entire war that I have encountered.

Audience

The first tough question to evaluate is who exactly is the audience for this book?  I found it to be a fast read but at almost 800 pages (excluding bibliography) it is probably a significant commitment for many people.  Beyond that, it is mired in details of dates, titles, numbers, troop dispositions, and so on.  Not getting bogged down in these while also not missing important notes or losing track of the overall thread and continuity could be challenging for younger or less experienced readers.  Similarly, those only marginally interested in the topic could potentially be turned off by its sheer length and the volume of nuts & bolts minutia.

From a different angle, those who are very interested and have read a lot about the second world war may at times be a bit confused about what they’re supposed to get out of the text.  Surprisingly given the many decades between the event and now, Beevor does actually present a number of new revelations that have only recently entered public knowledge.  But the overall text is very light on analysis and motivations, and the basic detailed history already well covered in innumerable texts and documentaries, so for those well versed in the topic it’s not always immediately clear for what or whom the book is intended.

Ground History

Eventually though I came to understand the book as a detailed ground history across the entire scope of WW2.  At that it is impressively detailed yet readable.  If you want to get or ensure you have a comprehensive feel for the military movements across all of the half dozen or so major fronts in the war, this is the text you want.  In this way it’s useful for both those unfamiliar with the topic, and those who want to cement their knowledge.  Beevor himself notes that he wrote the book because, having written several other books about particular battles and topics, he thought his own knowledge was patchy.  As one example for me, though broadly familiar with the fighting and politics in China, the overall picture and the specifics of the intense jockeying for post war positioning between the Nationalists and the Communists is much more clear now.

That leads directly to the first place the book really excels.  It covers the whole war.  From an American perspective this makes it a particularly useful text.  All of the early movements in Czechoslovakia and Poland, the critical nature and immense scope of the Eastern Front, to the Italian and African campaigns, to the overlooked but long-term incredibly important China and Southeast Asian theaters, everything’s covered.  This isn’t a typical American history in which the war is largely fought and won over 4 days (e.g., Pearl Harbor, D-Day, Iwo Jima, Hiroshima).  The Battle of Britain, for example, gets a reasonable but notably succinct summary, which makes much sense upon reflection:  That conflict’s extremely well covered elsewhere and, though immensely important, actually very simple and straightforward in the basics.  In contrast, a tremendous number of pages is spent on the sprawling, complex, and ultimately world defining Eastern Front, a theater that has little detailed recognition and understanding among western audiences.  As another personal example, though relatively very aware of the scope of Soviet and German losses, and the sheer brutality of that conflict in particular, the book adds a layer of general understanding to the overall sweep and movement of the war.  It also clarifies a number of details, e.g., the final Soviet and US run-in to Berlin, a relatively small but ultimately very consequential period of time of which it turns out I did not understand the basic mechanics well at all.

Map from the text of a late war overarching Soviet push.

Map from the text of a late war overarching Soviet push.

To the point about brutality, that’s where the book really excels.  It’s important to recognize and understand that the text comes from classical, traditional military histories of major conflicts.  Though the coverage is reasonable for the book’s purposes, Beevor only tangentially discusses the politics, economics, and scientific enterprises that are the real heart of the issue in the war.  If you’re looking directly for analysis, contextual understanding, and long term consequences, as I was going in, this is not that text.  It starts from a focus on armies and generals and combat and stays focused on that kind of ground level details of the war.

But Second World War goes well beyond that class of ultimately unenlightening typical military narrative in being very comprehensive about what it means to be a “detailed ground history across the entire scope of WW2.”  There is extensive discussion about the suffering of individual soldiers and the conditions they fought under.  More importantly, despite the book’s military history origins, Beevor places equal focus on the devastating, incomprehensible levels of civilian suffering, elevating the text well above most generic WW2 histories.  Both abstract issues and numbers as well as a wide array of personal letters and diaries are used to document that aspect of the war as extensively as the military maneuvers.  It documents well topics like the courses of both Nazi and Soviet genocide; unbelievable losses of life to famine in China and Southeast Asia; and the awful, unrelenting destruction and poverty of the churned middle ground between Russia and Germany.

The book also puts special attention to the near universal suffering and persecution of women on all fronts.  To a large extent this is not a revelation to any who have read about or are otherwise familiar with events like the Rape of Nanking, or, indeed, has thought at all about the likely consequences of an extended, to-the-death, wide scale war, particularly one with heavy racial and nationalist undertones.  But this is a topic still under-discussed and poorly recognized, e.g., among all the pop fans of WW2 enabling the thriving history-entertainment industry.  Beevor also pushes that understanding into all theaters and forces the unavoidable conclusion that this is not an issue of ad hoc atrocities or confined to just one region.  The text makes clear both the overwhelming extent and horrifying nature of female suffering across the entire worldwide conflict, as well as its execution as a systematic, condoned, even organized undertaking.

Chinese refugees in Chungking, wrecked capital of the Nationalists.

Chinese refugees in Chungking, wrecked capital of the Nationalists.

Details and Revelations

As has been widely publicized in other reviews, the book does work to raise popular awareness of a number of relatively new revelations.  Some of these include:

  • A somewhat notable assassination of a Vichy French official, not previously understood to be organized by the British and US intelligence services.
  • The treatment of Soviet women by the Soviet army itself, the uncovering of which I believe comes largely came from Beevor’s own work for his more focused book Stalingrad.
  • Most talked about, the overwhelming effect of starvation on Japanese forces—60% of all casualties—and the consequent systematized, rampant cannibalism among its armies.  This has only recently been captured by Japanese historians after being suppressed by the Allies in order to not traumatize families of POWs at home.

Just given the breadth of the material, the book necessarily has to make concessions to brevity.  Many reviews have noted that compared to Beevor’s previous books there is less emphasis on personal accoutings.  Still though, I think there is a good amount of that, with many of the scenes, particularly of refugee and other civilian suffering, told through diaries and letters.

Similarly, in many ways the book relies a fair bit on extensive knowledge of the war.  For example, there’s a line in a meeting with Churchill about Stalin’s blue pencil that has no resonance without knowing his original role as an editor.  As a more important example, I’m not sure the book adequately relates the technical limitations forcing the Allies’ unescorted bomber tactics in Europe until the development of the Mustang fighter with its combination of range and capability.

One of the most important engineering efforts ever...  Still not as powerful as Stalin's blue pencil.

One of the most important engineering efforts ever… Still not as powerful as Stalin’s blue pencil.

Some of these choices though come directly on the book’s focus on the ground, and are reasonable once you’re in line with that approach.  For example, there’s an interesting paragraph or so about driving in the London blackout, and the thousands of pedestrians killed by vehicular accidents in its early months.  In contrast, the massive, world-changing Manhattan Project appears almost out of nowhere only when the Enola Gay finally takes off on its fateful mission, with just a few references beforehand as it came up in conferences among the Allied leaders.

To me, among the more notable non-ground details Second World War does make within its comparatively limited focus on the leadership and behind-the-scenes politics, are those about Roosevelt.  Beevor paints a clear picture of his anti-Imperialist leanings, capturing how that defined US priorities, frustrated Churchill, and would have resulted in an immensely different world view had he lived longer.  For example, it discusses in passing references how he was staunchly against the French resuming occupation of Indochina (Vietnam) after the war.  Though it’s hard to predict how that would change history, clearly it would do some immensely.  In a related vein, it is also made clear just how poorly Roosevelt understood or cared about post-war implications, how fixated on them Churchill was—often in strongly Imperialist tones—and how masterfully Stalin and Mao Zedong out-maneuvered both of them at that shadow conflict.

"We're getting played, arent't we?  Hilarious!"

“We’re getting played, arent’t we? Hilarious!”

Maps & Endnotes

As a minor note, the first half or so could use a few more maps and diagrams, but I attribute that to Beevor being English and assuming more familiarity with European geography than I, and presumably most Americans, possess.  By the time things get really hairy and entangled in the second half of the war, much of it in the less familiar eastern Europe and Pacific, there are notably more diagrams complementing the text.

On another minor note, the book employs extensive endnotes rather than footnotes.  I assume this was done to make the book seem more pop history and accessible to people flipping through in a bookstore.  It’s very unfortunate however as it leaves you constantly wondering “Who said that?” and “Where is he getting that from?” for both quotes and newer revelations, giving the book just a slight feel of unscholarlyness and speculation that it doesn’t deserve.

Summary

All in all, I highly recommend Beevor’s The Second World War, contingent on being clear or what the book is trying to do and who it’s for.  It’s not a light history, and probably requires either a fair amount of motivation or an experienced reader; e.g., I have mixed feelings about recommended it for typical high schoolers.  Little time is spent on politics, economics, context, or consequences.  Similarly, there is little analysis or direct relation to modern events.  Beevor himself is careful in interviews to proscribe against the popular inclination of politicians and pundits to draw untrue and misleading parallels to WW2.  But the book is very good for those with a limited understanding of the basic mechanics and movement of the war, or those who want to ensure their understanding.

Beyond that, the book is excellent at is portraying the “truth” on the ground.  Most notably, it is faithful to and evenly balanced across the entire scope of the war—from the Pacific to the Eastern to the Western fronts—as well as both the military and civilian effects, particularly for women.  The scope and abstract numbers almost prevent a felt understanding, but there is enough detail and personal accounts to ensure a tangible picture of the colossal scale of human suffering entailed.

Ultimately that presentation is worthwhile in its own right, and enables the kind of thought and analysis from which the book largely shies away.  For example, through much of the text the US and English come off fairly well in ethical terms, with most of the atrocities, particularly mass rapes,  enacted by the Japanese, Germans, Soviets, and French.  Especially at the end though there are disappointing lapses by US forces in the occupation of Japan.  Combined with the deep picture from the rest of the text of the relatively limited contact up to that point between US forces and civilians, particularly non-Europeans, it is difficult to not then take that behavior as near-universal and those two Allies’ comparatively clean records coincidental rather than actually exceptional.

That is exactly the sort of observation a good raw history should support.  Second World War largely refrains from imposing its own conclusions, but does enable that kind of thinking across a number of topics: Civilian suffering, modern total war, justification for the atomic bombings, post-war geopolitical consequences, and so on.  For that I highly recommend it.

Hiroshima.

Hiroshima.

Betrayer

betrayer-coverContinuing my Horus Heresy kick, over the weekend I read Betrayer by Aaron Dembski-Bowden.  I  was a little hesitant to grab this book but did so because it comes up on a number of best-of-series lists, not all of which are reliable (too much focus on action).  Turns out though Betrayer is very much possibly the best 40k/30k novel I’ve read, and certainly among the top.  Part of this I attribute to Dembski-Bowden apparently being an actual player of the game, something I don’t get from a number of the authors.  Not that it’s necessary, but it might bring an extra level of love to the work.

There are no spoilers in these thoughts.

Characters

Here that love’s paid off because he’s done the totally unexpected: Made the World Eaters, Angron, and especially Khârn possibly the most fascinating characters in the entire series.  My hesitation about the book was precisely because by the 40th century they never come across as particularly interesting.  Mindless killing machines, they do what they say—Kill!  Maim!  Burn!—and little else.  Their action sequences are boring, and they have basically no characterization to speak of.  Their appearance also raises a lot of uncomfortable questions, like how could such a bloodthirsty, disorganized fighting unit actually function?

The answer is barely.  This novel really explores in flashback and discussion the degradation of the legion and how costly their every minor victory has become.  A number of the characters spend a fair amount of time trying to come to grips with how precisely they can keep fighting when their extreme lack of discipline leaves them exposed and vulnerable any number of ways.  The action and training scenes demonstrate this well and between that, the characters’ discussions, and a healthy dose of the Warp, it’s an interesting progression that renders the 40k world more plausible (well, within the universe’s basic assumptions).

More importantly, Angron makes a good run here to be the most tragic of the Heresy characters.  That’s a big claim to make given Horus, but the novel makes it pretty credible.  My favorite though is Khârn.  He’s fascinating, and realizing that in the first couple pages is basically mind blowing given that I’d previously never found him particularly interesting.  He has a band of friends, many of them with their own solid characterizations—especially Argel Tal of the Word Bearers—and he has doubts, so many doubts.  Khârn’s so compelling, I’m almost motivated right now to go model up some Chaos Marine champion to represent him (I’m only 50/50 on his actual model).  Khârn’s depth and wisdom come across so well, it only highlights his glee and fury in battle.  The first, brief appearance of his catchphrase at a desperate moment is chilling: Kill, maim, burn.  Betrayer manages to make all of these utter villains extremely sympathetic and then next chapter they’re turning your stomach as they torture and murder with abandon, an excellent feat of writing.

Also excellently done, for the book that had every possibility of being the least humanized and the most purely testosterone driven given its very male lead legions and characters, there are a number of solid women characters.  In particular, Captain Sarrin of the Conqueror has a lot of pages and comes across strongly.  She’s key in manufacturing one of the standout scenes mentioned below, has a number of welcome interactions with her friend Khârn in the heat of battle, and it’s actually really cool to read with what glee and skill she goes about fighting the Imperialists.  In the grimdark future there is war and blood for everyone, not just men.

Fight!

As discussed regarding Know No Fear, 40k and especially the Heresy series has a ton of potential depth to it, and it’s the more character-study oriented novels that are the best.  All too often though they devolve into purely extended action sequences, as that novel does.  Here though a perfect balance is struck.  The action and character studies are so interwoven throughout the text, and often set within each other, that Betrayer never becomes a drawn out, boring slugfest, nor does it ever slow down and become purely dialog and thought with no chainswords or powerfists.  In terms of the technical execution of the plot and characters, the text’s arrangement is really well done.

Great Scenes

On top of all the overall excellence, the novel has a large number of great scenes.  Just a few of the most memorable, holding back the details:

  • Lorgar’s desperate battle to retrieve Angron, and the latter’s desperate struggle to then save the former.  This is the best primarch battle scene I can recall.  Forget inhumanly fast sword strikes and mega-punches.  There are goddamn vehicles being thrown like toys, and it’s not the least cheesy.
  • The legion’s censure of Delvarus after the battle of Armatura.  This opens with a great tense hangar bay standoff, once that captures that might alone is not always right, then pages later comes back with a darkly beautiful scene of fraternity, regret, and forgiveness.
  • Lhorke’s remembrance of Khârn and Argel Tal in the gladiator pits.  It’s a touching view of two soul brothers, ultimate warriors not yet mindless death machines, and has a rare touch of fun and mirth among a life of constant war.
  • Lorgar and Angron discussing the latter’s pre-heresy fight with Russ.  It has a sadness and quiet to it that’s heartfelt, with Lorgar pained because Angron doesn’t understand, and Angron pained because he does but can’t, shackled and crippled by his past.

Summary

Basically, go read it.  A fair bit of Heresy background and 40k foreknowledge is required to really appreciate everything.  Even having read a bunch and knowing a lot of 40k lore, even I wish just a little that I had read more of the Heresy series before reading this to catch all the references and character history.  But it’s got depth and action to spare so this is a minor concern.  Betrayer is an awesome novel that every 40k fan should really appreciate.

Kill. Maim. Burn.

Kill. Maim. Burn.

Update: Total sidenote, if the Khan model looked more like this conversion I’d be all about it.  The official model though is just a little to goofy and busy looking.  By absolutely no means the worst of the older GW sculpts, but after this read I really hope he gets an update or Forge World model sometime to be a bit more serious and dramatic.

Know No Fear

know-no-fear-coverLast night and this morning I read the nineteenth book in the Horus Heresy seriesKnow No Fear by Dan Abnett.  The book records the first Battle of Calth, in which the Word Bearers attack the Ultramarines, the latter’s first intimation of the recently begun Horus Heresy.  There are no real spoilers among the thoughts below.

Battle

I was prompted to pick up this book by the recent limited release of the twenty-sixth novel in the series, Unremembered Empire, also by Abnett.  Previously I had only read up through the 4th book of the series.  Each of those four is solid to very good, and Unremembered Empires has been getting great comments, so I was intrigued to get back into the series.  That said, 40k books are highly variable in quality.  Some of the overriding themes and writing are great.  Many of the books though are poorly written battle reports of childishly imagined characters.  So, despite my love of the setting, I have no interest in reading all twenty-two of the other novels to get completely filled in before Empires comes out in paperback six months from now.

Looking to cherrypick the series, I read Know No Fear because it’s by Abnett, one of the stronger 40k writers, and it appeared on a few recommendations of must-read books in the series.  I can’t say I was disappointed.  It’s definitely among the stronger 40k books and a good, solid read.  The battle that occupies probably two-thirds of the novel is well done and moves along, never becoming the sort of tedious recounting better left to action movies from which many of the novels suffer.

That said, the battle does occupy two-thirds of the novel, and it’s definitely not the most interesting part.  Solid as the book is, it highlights some of the basic self-imposed limitations of the 40k writers.  The universe has the depth and breadth to incorporate some really great themes, and the novels often touch on these, but they never quite let go to really explore those.  Many, especially Abnett’s, start off with really interesting world and character building, and then devolve into a protracted fight sequence.  Know No Fear falls precisely into this fate.

World

That battle stuff is ok and entertaining, but what I really like is the first part of this book.

I think the Heresy series has a number of strategic factors driving its immense success.  One of these is the large, protracted, epic story arc.  It takes a really solid fabric and epic space opera universe to soak up 26 novels, bunches of short stories, and still have basically no end in sight for the inevitable conclusion everyone knows must come.  Another is that people enjoy reading history, which all of this is for players of the game.  There’s a pleasure to be had in knowing the basic outline but getting filled in on all the details.

A perhaps less obvious factor is that the series proceeds from a point in time before the 40k grimdark sets in.  At this time humanity is still making progress, there is both a hope and a reasonable expectation of a brighter future, the Imperium is not thoroughly downtrodden and oppressive, and not everything is war.  Ultimately people can only read so much misery and darkness before they tire of it.  The Heresy books, probably especially ones like this set around the prospering and civilized Ultramar, don’t have that same crushing bleakness to their background.

That brightness and engagement with the larger civic enterprise of building the Imperium also brings a lot of variety and texture to the story.  Among the current-timeline 40k novels, it’s no accident that the most popular books and series are based around the Inquisition and the Imperial Guard, like the Eisenhorn and Gaunt’s Ghosts books.  Those settings and characters offer a rich world with many different types of people and places.  In contrast, despite being the most popular faction in the 40k universe, Space Marines often make boring novels.  They kill stuff and hang out on their battle barge, and repeat.  They’re also all pretty much conditioned clones of each other, with comparatively limited variances.

The Heresy books step around that limitation.  The novels feature a lot more world building, characters outside the chapters, and the rebellion itself induces such a large fault line as to create differences among the characters.  I actually really enjoyed the “boring” stuff opening Know No Fear, like Space Marine Captain Ventanus and Sgt Selaton zipping about in a Landspeeder, getting stuck in traffic on their way to argue with the local dockworkers, or discussing the Imperial project with Tetrarch Lamiad in a futuristic, optimistic, empty museum.

Ventanus isn't sure what's going on, but he's sure he's not going to like it.

Ventanus isn’t sure what’s going on, but he’s sure he’s not going to like it.

Trans-Human

The other thing I really like about Know No Fear is that the opening portions really focus on the idea of the Space Marines as trans-human, and what that means.  To me this is one of the most interesting themes in 40k, and a major part of my love with the Space Marines.  In fact, this book repeatedly and often uses that specific term trans-human, which sticks out for me as a modern, civilized, scientific term.  Not that many people in the 21st century world would be familiar with this word, or are thinking about what it means, even though we really are approaching having to deal with such entities.  Similar holds for the 40k universe, where the word is rarely used, the Marines are much more frequently cast as super-soldiers, and people are pretty much concerned with not dying, as opposed to what living means.  In M30 however, this is a real, high level concept that occupies the more intellectual and world-cognizant of the Marines, this is a world thinking about the future and lofty ideas like what it means to be human.

Specifically, the term’s use highlights a key premise at the start of the book, that the Great Crusade is wrapping up, and now humanity needs to figure out how to go from there.  As the Space Marines perhaps most engaged with the world outside combat, many of the Ultramarines in Know No Fear have many discussions in the opening sections beginning to probe their thoughts about their place in a universe consisting of more than war.  What does it mean to be a defender of humanity that is not truly human?  Further, what happens if such a defender is no longer needed for defense?

Ultimately these are the kinds of questions the Heresy as a whole really gets to at its best points.  If there are men that truly know no fear, then there are also men that know only fear.  To me that is the central driver of the Heresy, those are the traitors.  Most simply fear death or pain, though they would never say it, and will make the most unholy bargains to avoid it.  Others fear powerlessness, and what could be more powerless than the universe’s greatest warrior in a time that knows no war?  Many fear being deemed inadequate by those they venerate most, as is clearly how the Word Bearers feel after their multiple rebukes by the Emperor.

Know No Fear gets at many of these points, and it’s the true strength of the book.  The opening sections feature not just a literature discussion of those topics, but the ultimate philosopher warriors of the 30th century, the Ultramarines, explicitly discussing them.  There’s a lot of talk about their Primarch’s attempts to prepare them to be useful for running governments rather than crusades.  In a great, telling display of the Ultramarines as intellectuals all, even the sergeants discuss how comparatively simple, bloody-minded Legions like the Word Bearers and World Eaters will fit into a peaceful age.

All of this stuff is great.  It’s what made Flight of the Eisenstein my favorite 40k novel, and it was really good to read in this novel.  It’s just a shame it’s all mostly dumped for a 200 page battle.

Style

A small thing I also really liked about this novel is that it opens with a crazy style, interspersing cold historical record in a very analytical framework of timestamps and notes with Primarch Guilliman’s much more poetical, abstract thoughts.  It’s a little tough to follow so I’m glad it phases out after the first chapter or so in favor of a more straightforward style of novel, but it’s really good.

Similarly, the internal looks at the Primarch are really enjoyable.  A good example is an early sequence of him working on what the reader will recognize as notes for the Codex Astartes, still far in the future, while he also thinks about his chapter masters and how even after all they’ve done they still don’t fully understand his powers.  Pretty awesomely and quite appropriately, Guilliman is actually one of the softer voices in the novel, and brings a fair bit of the humanity and even humor.  It’s small, but there’s a really nice point of comedic relief where he walks into a sanctum of his, finds an Ultramarine waiting there for a meeting with him that he had forgotten about for hours and hours, has a brief, unrelated discussion with him, and walks back out with the Marine left still waiting for the meeting.

Abnett also does a really good job here of making the Ultramarines stand out with their own unique character.  It’s definitely the most appealing I’ve ever found the poster boys of the 41st millenium, and they’ve always appealed to me a little for maintaining Ultramar as the bright point of the stagnant Imperium.  The constant scholarly discussions and Socratic teachings among themselves in all the small moments stand them apart, and the constant refrain of “Theoretical?” and “Practical?” in analyzing every problem gives them a voice and tone unique among the Legions.

Summary

All in all, I’m glad I read Know No Fear, and it meets my expectations of Abnett’s better 40k novels:  The inevitable extended battle sequence is good for what it is, but the opening part delivers the goods on world building and exploring the deeper, more interesting themes of the 40k universe.

I will say, the Heresy covers are getting harder and harder to tell exactly what the hell is going on.

I will say, the Heresy covers are getting harder and harder to tell exactly what the hell is going on.